Taegeuk 8 Jang symbolizes the "Kon", one of the 8 divination signs, which represents "Yin" and earth, meaning the root and settlement and also the beginning and the end.
This is the last of the 8 Taegeuk poomsaes, which may be enable the trainees to undergo the Dan (black belt) promotion test.
New movements are dubal dangseong apchagi, momtong kodureo bakkatmakki, arae kodureo makki, twio chagi, and palkup dollyochigi. Emphasis must be laid on the accuracy of stepping and the difference between jumping-over kick and dubal-dangseong (alternate jumping kick in the air).
The 1st Geup Grade trainees practice this poomsae.

|
The Synoptic Table of Taegeuk 8 Jang |
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|
Order |
Eye direction |
Position |
Action |
Stance |
Name of Poom |
|
Junbi |
Ga |
Na |
PART 1 |
kibon junbijase |
|
|
1 |
Ga |
Ga |
L. F. put forth |
wen kodureo momtong bakkatmakki |
|
|
2 |
Ga |
Ga |
same position |
momtong barojireugi |
|
|
3 |
Ga |
Ga |
dubal dangseong apchagi, |
momtong dubeonjireugi |
|
|
4 |
Ga |
Ga |
R. F. put forth |
momtong bandaejireugi |
|
|
5 |
Ra3 |
Ra3 |
PART 2 |
wesanteulmakki |
|
|
6 |
Ra3 |
Ra3 |
feet remain, |
oreun dangkyo teokjireugi |
|
|
7 |
Da3 |
Da3 |
wen apkkoaseogi, |
wesanteulmakki |
|
|
8 |
Da3 |
Da3 |
feet remain, |
wen dangkyo teokjireugi |
|
|
9 |
Ga |
Na |
R. F. move to step down |
wen sonnal momtongmakki |
|
|
10 |
Ga |
Na |
L. F. put forth slightly |
momtong barojireugi |
|
|
11 |
Ga |
Na |
oreun apchagi, foot retreive, |
oreun |
oreun batangson momtong anmakki |
|
12 |
Da2 |
Da2 |
PART 3 |
wen sonnal momtongmakki |
|
|
13 |
Da2 |
Da2 |
wen apchagi, put forth |
momtong barojireugi |
|
|
14 |
Da2 |
Da2 |
L. F. pull |
wen batangson momtong anmakki |
|
|
15 |
Ra2 |
Ra2 |
change direction |
oreun |
oreun sonnal momtongmakki |
|
16 |
Ra2 |
Ra2 |
oreun apchagi, put forth |
oreun apkubi |
momtong barojireugi |
|
17 |
Ra2 |
Ra2 |
R. F. pull |
oreun |
oreun batangson momtong anmakki |
|
18 |
Na |
Na |
PART 4 |
oreun kodureo araemakki |
|
|
19 |
Na |
Na |
wen apchagi, |
oreun apkubi |
momtong dubeonjireugi |
|
20 |
Da1 |
Da1 |
Turn |
wen hansonnal momtong bakkatmakki |
|
|
21 |
Da1 |
Da1 |
R. F. remains, |
oreun palkup dollyochigi |
|
|
22 |
Da1 |
Da1 |
same position, stance |
oreun deungjumeok olgul apchigi |
|
|
23 |
Da1 |
Da1 |
change direction |
momtong bandaejireugi |
|
|
24 |
Ra1 |
Ra1 |
L. F. remains, |
oreun hansonnal momtong bakkatmakki |
|
|
25 |
Ra1 |
Ra1 |
same position, stance |
oreun apkubi |
wen palkup dollyochigi |
|
26 |
Ra1 |
Ra1 |
same position, stance |
oreun apkubi |
wen deungjumeok olgul apchigi |
|
27 |
Ra1 |
Ra1 |
R. F. put forth |
oreun apkubi |
momtong bandaejireugi |
|
Baro |
Ga |
Na |
L. F. pull to turn leftward |
kibon junbijase |
|
|
Poom (Command) = 27--Dongjak (Movement) = 38--Kihap (Shout) = 2 |
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