Koryo poomsae symbolizes "Sonbae", which means a learned man, who is characterized by a strong martial spirit as well as a righteous learned man's spirit. The spirit had been inherited through the ages of Koguryo, Palhae and down to Koryo, which is the background of organizing the Koryo poomsae.
The new techniques appearing in this poomsae are kodeup chagi, sonnal bakkat chigi, hansonnal arae makki, khaljaebi, mureup nulleo kkeokgi, momtong hecho makki, pyojeok jireugi, pyonsonkkeut are jeocho tzireugi, batangson nullo makki, palkup yeop chigi, mejumeok arae pyojeok chigi, etc, which only black belters can practice.
The junbi jase is the tongmilgi which requires mental concentration by positioning the hand in between the upper abdomen and the lower abdomen where "sin"(divine) and "jeong"(spirit) converge.
The line of poomsae represents the Chinese letter which means "seonbae" or "sonbi", a learned man or a man of virtue in the Korean language.

|
The SynopticTable of Koryo Poomsae |
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|
Order |
Eye direction |
Position |
Action |
Stance |
Name of Poom |
|
Junbi |
Ga |
Na |
PART 1 |
tongmilgi junbijase |
|
|
1 |
Ga |
Ga |
put forth |
wen sonnal momtongmakki |
|
|
2 |
Ga |
Ga |
oreun kodeup yeopchagi, |
oreun sonnal mok bakkatchigi |
|
|
3 |
Ga |
Ga |
same position, stance |
momtong barojireugi |
|
|
4 |
Ga |
Ga |
L. F. remains, |
oreun momtong anmakki |
|
|
5 |
Ra3 |
Ra3 |
R. F. move, turn around |
oreun sonnal momtongmakki |
|
|
6 |
Ra3 |
Ra3 |
wen kodeup yeopchagi, |
wen sonnal mok bakkatchigi |
|
|
7 |
Da3 |
Da3 |
same position, stance |
momtong barojireugi |
|
|
8 |
Da3 |
Da3 |
R. F. remains, |
wen momtong anmakki |
|
|
9 |
Ga |
Na |
PART 2 |
oreun ageumson apchigi / |
|
|
10 |
Ga |
Na |
wen ageumson apchigi / |
||
|
11 |
Ga |
Na |
wen apchagi, forth, |
oreun ageumson apchigi / |
|
|
12 |
Da2 |
Da2 |
oreun apchagi, forth |
wen mureup nulleo kkeokgi |
|
|
13 |
Da2 |
Da2 |
L. F. put forth, |
anpalmok momtong hechomakki |
|
|
14 |
Da2 |
Da2 |
wen apchagi, forth |
oreun mureup nulleo kkeokgi |
|
|
15 |
Ra2 |
Ra2 |
L. F. pulled slightly |
anpalmok momtong hechomakki |
|
|
16 |
Ra2 |
Ra2 |
PART 3 |
wen hansonnal momtong yeopmakki |
|
|
17 |
Ra2 |
Ra2 |
same stance |
oreun pyojeokjireugi |
|
|
18 |
Na |
Na |
oreun apkkoaseogi, change step, |
wen pyonsonkkeut arae jeochotzireugi |
|
|
19 |
Na |
Na |
L. F. remains, |
oreun araemakki |
|
|
20 |
Da1 |
Da1 |
L. F. one step forward, |
oreun palkup yeopchigi |
|
|
21 |
Da1 |
Da1 |
same position, stance |
oreun hansonnal momtong yeopmakki |
|
|
22 |
Da1 |
Da1 |
same stance |
wen pyojeokjireugi |
|
|
23 |
Da1 |
Da1 |
wen apkkoaseogi, change step, |
oreun pyonsonkkeut arae jeochotzireugi |
|
|
24 |
Ra1 |
Ra1 |
R. F. remains, |
wen araemakki |
|
|
25 |
Ra1 |
Ra1 |
R. F. one step forward, |
wen palkup yeopchigi |
|
|
26 |
Ra1 |
Ra1 |
PART 4 |
wen mejumeok pyojeok araechigi |
|
|
27 |
Na |
Na |
R. F. remains, turn leftward, |
wen hansonnal arae makki |
|
|
28 |
Na |
Na |
R. F. put forth, |
oreun apkubi |
oreun hansonnal arae makki |
|
29 |
Na |
Na |
L. F. put forth, |
wen hansonnal arae makki |
|
|
30 |
Na |
Na |
R. F. put forth |
oreun apkubi |
oreun ageumson apchigi / |
|
Baro |
Ga |
Na |
L. F. pulled, |
tongmilgi junbijase |
|
|
Poom (Command) = 30--Dongjak (Movement) = 48--Kihap (Shout) = 2 |
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